{"id":137,"date":"2015-04-30T11:57:11","date_gmt":"2015-04-30T18:57:11","guid":{"rendered":"http:\/\/blogs.ufv.ca\/english\/?p=137"},"modified":"2015-04-30T11:57:11","modified_gmt":"2015-04-30T18:57:11","slug":"a-poetry-month-farewell-from-our-esa-president-and-cascade-editor-work-suite","status":"publish","type":"post","link":"https:\/\/blogs.ufv.ca\/english\/2015\/04\/30\/a-poetry-month-farewell-from-our-esa-president-and-cascade-editor-work-suite\/","title":{"rendered":"A Poetry Month Farewell from our ESA President and Cascade Editor: &#8220;Work Suite&#8221;"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>By <a href=\"http:\/\/blogs.ufv.ca\/english\/2015\/04\/28\/131\/\" target=\"_blank\">Katie Stobbart<\/a><\/p>\n<p>My <a href=\"http:\/\/poets.ca\/programs-2\/reading-programs\/national-poetry-month\/\" target=\"_blank\">Poetry Month<\/a> Choice: <a href=\"http:\/\/www.brokenpencil.com\/news\/the-work-of-emma-healey\" target=\"_blank\">&#8220;Work Suite&#8221;<\/a> by <a href=\"http:\/\/emmahealey.com\/\" target=\"_blank\">Emma Healey<\/a><\/p>\n<p style=\"text-align: center;font-size: 0.7em\"><a href=\"http:\/\/blogs.ufv.ca\/english\/files\/2015\/04\/English-blog-glass-box.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-138\" src=\"http:\/\/blogs.ufv.ca\/english\/files\/2015\/04\/English-blog-glass-box-200x300.jpg\" alt=\"English blog glass box\" width=\"200\" height=\"300\" srcset=\"https:\/\/blogs.ufv.ca\/english\/files\/2015\/04\/English-blog-glass-box-200x300.jpg 200w, https:\/\/blogs.ufv.ca\/english\/files\/2015\/04\/English-blog-glass-box-100x150.jpg 100w, https:\/\/blogs.ufv.ca\/english\/files\/2015\/04\/English-blog-glass-box-133x200.jpg 133w, https:\/\/blogs.ufv.ca\/english\/files\/2015\/04\/English-blog-glass-box.jpg 333w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Photo Credit: <a href=\"https:\/\/www.flickr.com\/photos\/22715327@N06\/8430513826\/\">Funky64 (www.lucarossato.com)<\/a> via <a href=\"http:\/\/compfight.com\">Compfight<\/a> <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/2.0\/\">cc<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Prose poems aren\u2019t always easy to pull off. The best ones I have read simultaneously bend and embrace both forms; they have the poem\u2019s hyperawareness of language and devices and prose\u2019s steadiness, its stream-like qualities.<\/p>\n<p><a href=\"http:\/\/lemonhound.com\/2012\/09\/21\/emma-healey-two-poems\/\" target=\"_blank\">Emma Healey\u2019s poetry<\/a> excels in this. Her speakers are candid, smart, and approachable. She also has this wonderful ability to place you in the glass box of a poem, and gradually fill it up with metaphor until you\u2019re steeped in it. I find myself revisiting her poems over and over to immerse myself again.<\/p>\n<p>What follows are the first part and three parts from the middle of \u201cWork Suite,\u201d from Healey\u2019s first and so far only collection, <a href=\"http:\/\/emmahealey.com\/begin\/\" target=\"_blank\"><em>Begin with the End in Mind<\/em><\/a>.<\/p>\n<p>This poem in particular resonates with me, as it\u2019s the kind of relationship I often have with my own work \u2014 creative or otherwise: it moves with a kind of tectonic energy, and even if I leave, it won\u2019t not come with me. As the semester is ending, I know I\u2019m not the only one with my eye on summer\u2019s gleaming promise: time for things to \u201cunfold in the glow.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Work Suite<\/strong><br \/>\nThings were a million times easier before it started<br \/>\nfollowing you to your day job. You\u2019ve learned to stop trying<br \/>\nto stop it; there\u2019s that weird panopticon thing and even if<br \/>\nyou pile obstacles in the front hallway and slip noiselessly<br \/>\nout the bathroom window, it always gets ahead of you.<br \/>\nLike you\u2019ve got a choice.<\/p>\n<p>It doesn\u2019t have a lot of hobbies \u2014 just metaphor, sleep,<br \/>\nmaking you miserable. Public transit makes it all sweaty<br \/>\nand graceless and plus it brings those lunch-sized cans<br \/>\nof tuna every day. Plastic sporks. It chews with its mouth<br \/>\nopen. That grin. You have to stand next to it all the time<br \/>\nand watch it refuse to cede its seat to pregnant women,<br \/>\nthe elderly, junior-high-school girls on crutches. Where<br \/>\nis it getting all of this tuna? you don\u2019t ask, ever. Its mystery<br \/>\nis essential, constant. You are never on time for anything.<br \/>\nIt chews louder. Everyone hates you.<\/p>\n<p>&#8212;<\/p>\n<p>It doesn\u2019t smoke but it does like to disconnect the carbon<br \/>\nmonoxide detector and drop the batteries in the dryer, hide<br \/>\nyour books in the freezer, replace your knee socks with<br \/>\nankle socks, repel your heart with its heart. You can\u2019t take it<br \/>\nout in public but it won\u2019t not come with you. You\u2019ve given<br \/>\nup making it mix CDs or lending it books you love; it just<br \/>\neats them, slowly, methodically, loudly, staring straight<br \/>\ninto your eyes. When you\u2019re not at home it is hard at work<br \/>\nsplitting the ground underneath your apartment \u2014 it thinks<br \/>\nyou don\u2019t know, it gets weird if you bring other people<br \/>\nhome, two weeks ago you found a saved search in your<br \/>\ncomputer\u2019s history \u2014 \u201cbuild own fault line how to.\u201d Your<br \/>\nfloor\u2019s growing a list, by degrees, and you\u2019re not sure if you<br \/>\nshould call your landlord or what so you don\u2019t, not just yet.<br \/>\nThings are not yours to question, is what you know it would<br \/>\nsay if you asked. If it wanted to leave it would leave you.<br \/>\nBut hang on, when it works though. This happens, when<br \/>\nyou work and it works, and then there is never a thing else.<br \/>\nLike, it makes you coffee before you\u2019re even out of bed<br \/>\nand doesn\u2019t text anyone else when you\u2019re telling it about<br \/>\nthe dream you had last night, does the dishes, opens up<br \/>\nall the windows and sunlight floods your stupid apartment<br \/>\nand things are right and so simple you can\u2019t believe either<br \/>\nof you ever let it be any way else. The world around you<br \/>\nfeels it too \u2014 when you step outside, bicycles, buses, every<br \/>\ndog is a bulldog and also in love with you, every person<br \/>\nyou pass on the street is gorgeous, forgiving and endlessly<br \/>\ntactful and has heard of your favourite bands, wants to<br \/>\noffer you something you didn\u2019t remember you wanted<br \/>\nuntil just now, today. This is how it is; when it\u2019s like this<br \/>\nit\u2019s going to be like this forever. Things unfold in the glow<br \/>\nof your precious attention; off-peak hours, in its quiet<br \/>\nand springless your work you together; a seamless elision.<br \/>\nThere is nothing you can\u2019t do, then, now, and just like that<br \/>\nyou know it will never be different from this, again, ever,<br \/>\nof course now and finally yes.<br \/>\nThe next morning, you wake up bleary and it\u2019s sitting<br \/>\non your legs, staring at you, solid-faced. What will today<br \/>\nbring? you wonder, trying to shift under its endless weight.<br \/>\nHoping, not hoping.<\/p>\n<p>\u201cI threw up on your desk,\u201d it says.<\/p>\n<p>~ Emma Healey<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; By Katie Stobbart My Poetry Month Choice: &#8220;Work Suite&#8221; by Emma Healey Photo Credit: Funky64 (www.lucarossato.com) via Compfight cc &nbsp; Prose poems aren\u2019t always easy to pull off. The best ones I have read simultaneously bend and embrace both forms; they have the poem\u2019s hyperawareness of language and devices and prose\u2019s steadiness, its stream-like [&hellip;]<\/p>\n","protected":false},"author":107,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-137","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/posts\/137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/users\/107"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/comments?post=137"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/posts\/137\/revisions"}],"predecessor-version":[{"id":139,"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/posts\/137\/revisions\/139"}],"wp:attachment":[{"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/media?parent=137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/categories?post=137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ufv.ca\/english\/wp-json\/wp\/v2\/tags?post=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}